Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jjean-Marc nattier
Portrait of Baronne Rigoley d Ogny as Aurora, nee Elisabeth d Alencey

ID: 75738

Jjean-Marc nattier Portrait of Baronne Rigoley d Ogny as Aurora, nee Elisabeth d Alencey
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Jjean-Marc nattier Portrait of Baronne Rigoley d Ogny as Aurora, nee Elisabeth d Alencey


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Portrait of Pierre Victor Besenval de Bronstatt commander of the Swiss Guards in France. | Portrait of Madame Geoffrin | Madame de Maison-Rouge as Diana | The Artist and his Family | Catherine I of Russia by Nattier |
Related Artists:
Albin Egger Lienz
Albin Egger-Lienz (29 January 1868 - 4 November 1926) was an Austrian painter. He was born in Dölsach-Stribach near Lienz, in what was the county of Tyrol. As an artist, he had a special preference for rustic genre and historical paintings; under the influence of Ferdinand Hodler, Egger-Lienz abstracted his formal language into monumental expressiveness. He trained first under his father (a church painter), later he studied at the Academy in Munich where he was influenced by Franz Defregger and French painter Jean-François Millet. In 1899 he moved to Vienna. During 1911 and 1912 he was professor at the Weimar School of Fine Arts and he served as war painter during World War I. In 1918, he turned down a professorship at the Vienna Academy and settled in South Tyrol. Egger-Lienz died on 4 November 1926 in St. Justina-Rentsch, Bolzano, Italy.
CAVALLINI, Pietro
Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,
Master of the Manna
French Early Renaissance, 15th Century






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