Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jjean-Marc nattier
Portrait of Baronne Rigoley d Ogny as Aurora, nee Elisabeth d Alencey

ID: 75738

Jjean-Marc nattier Portrait of Baronne Rigoley d Ogny as Aurora, nee Elisabeth d Alencey
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Jjean-Marc nattier Portrait of Baronne Rigoley d Ogny as Aurora, nee Elisabeth d Alencey


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Portrait of Marie-Anne de Bourbon-Conde | Marie Leszczynska, Queen of France | Sophie Philippine Elisabeth Justine | elisabeth-Alexandrine de Bourbon-Conde, Mademoiselle de Sens | Portrait of Philippine elisabeth d'Orleans or her sister Louise Anne de Bourbon |
Related Artists:
niklas lafrensen
1737--1807
Sophie anderson
1823-1903 was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement. She was the daughter of Charles Gengembre, a Parisian architect, and his English wife. She was largely self-taught, but briefly studied portraiture with Charles de Steuben in Paris in 1843. The family left France for the United States to escape the 1848 revolution, They first lived in Cincinnati, Ohio, then in Manchester, Pennsylvania, where she met and married the British genre artist Walter Anderson. She initially worked in portraiture, including work for the chromolithographers Louis Prang & Co.. In 1854 the Andersons moved to London, where she exhibited her works in the Royal Academy. They returned to New York in 1858, then finally settled in London around 1863. Over the next three decades, her work was widely shown at venues including the Royal Academy, the Society of British Artists and many regional galleries.
Konstantin Somov
Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists






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